Dita Von Teese As An Orientalist Fantasy at the House of Blues on Decatur


I had a lovely day, up early, got some work done at the coffee shoppe, and then got a good bike ride in, first to R.’s place for a little bike lesson and a lot of catching up. It has been moons since our last session, and R. claimed to have forgotten everything she knew. I moved the seat down for her so she could sit and shuffle, pumped up the tires, and away we went. After mere minutes she did three revolutions on her own–she can ride a bike! I left her with my two cardinal bike rules: the faster you go, the easier it is to balance, so just keep pedaling, and second, look where you want to go, not where you don’t want to go, which is really a basic life philosophy. She promised to practice and I continued my ride Uptown to meet C. and H. for burritos and cat visitation before speeding back downtown to swap shoes and bag before pedaling back out to meet J. for Dita Von Teese’s burlesque show at the House of Blues. I could go on and on about the show, especially the part where Dirty Martini was there with her twirling tassles…she’s amazing, but you know what? That closing number? The one where Dita is some kind of Orientalist fantasy, from the “opium pipe” down to the hair and the awkward bowing? Yeah, that just kills my buzz. I’m sure I could make a case for it being an interesting mimesis that subverts yadda yadda yadda, but really, come on, can we please get a break from those tired tropes, especially when we’re a bunch of white people? Thanks in advance. After that bout of humorless feminist I was ready to head home, grateful for J.’s offer to drive me and my bike, because it is way past my bedtime.