I love Ken Burns. Or, rather, I love his documentary films. I started watching them last summer, and they are just so good. I know the critiques: he is all nostalgia and no politics; he pretends to tell full histories, but he leaves out vital voices; he romanticizes the Confederacy, letting that reunionist Shelby Foote be the expert. The list goes on, but I am not really interested in that particular brand of cynicism when it comes to his films. Continue reading